“Don’t stop,” she whispered. “No,” answered the other, “I was at Hastings—Miss Gwyn’s. Funny how we seem to have always been near to one another. Dad wanted me to be a doctor. But I’d always been mad about art.”!

Beauty. That was the key to the riddle. All Nature: its golden sunsets and its silvery dawns; the glory of piled-up clouds, the mystery of moonlit glades; its rivers winding through the meadows; the calling of its restless seas; the tender witchery of Spring; the blazonry of autumn woods; its purple moors and the wonder of its silent mountains; its cobwebs glittering with a thousand jewels; the pageantry of starry nights. Form, colour, music! The feathered choristers of bush and brake raising their matin and their evensong, the whispering of the leaves, the singing of the waters, the voices of the winds. Beauty and grace in every living thing, but man. The leaping of the hares, the grouping of cattle, the flight of swallows, the dainty loveliness of insects’ wings, the glossy skin of horses rising and falling to the play of mighty muscles. Was it not seeking to make plain to us that God’s language was beauty. Man must learn beauty that he may understand God. Returning to the interior, Joan had duly admired the Cheyne monument, but had been unable to disguise her amusement before the tomb of Mrs. Colvile, whom the sculptor had represented as a somewhat impatient lady, refusing to await the day of resurrection, but pushing through her coffin and starting for Heaven in her grave-clothes. Pausing in front of the Dacre monument, Joan wondered if the actor of that name, who had committed suicide in Australia, and whose London address she remembered had been Dacre House just round the corner, was descended from the family; thinking that, if so, it would give an up-to-date touch to the article. She had fully decided now to write it. But Mary Stopperton could not inform her. They had ended up in the chapel of Sir Thomas More. He, too, had “given up things,” including his head. Though Mary Stopperton, siding with Father Morris, was convinced he had now got it back, and that with the remainder of his bones it rested in the tomb before them.

“Yes,” he answered. “Marvellously like her as she used to be: except for just one thing. Perhaps that will come to you later. I thought, for the moment, as you stood there by the door . . . ” He did not finish the sentence. “Yes,” she answered. “I won’t try to hold you back, dear, if you think you can do that.” “I wish I had your pen,” he said, suddenly breaking the silence. “I’m all right at talking; but I want to get at the others: the men and women who never come, thinking it has nothing to do with them. I’m shy and awkward when I try to write. There seems a barrier in front of me. You break through it. One hears your voice. Tell me,” he said, “are you getting your way? Do they answer you?”